How to push design bounderies

by Madelein
How to push design bounderies

The 15th edition of the Pure Talents Contest at imm cologne is sure to get the design community talking. The event attracted 671 designers from 53 countries and over 800 products from up-and-coming designers were on display.

This year’s contest, which was presented in a special exhibition at imm cologne, showcased everything from practical projects to objects that seemed to be alive, surfaces that shimmered like a beetle, and fabrics draped in waves as well as carpets made of thick skeins of wool woven into a honeycomb structure. Attendees were able to see smart concepts, offbeat ideas, textile works, ultra-simple furniture and more.

Jury member and designer Rianne Makkink from the Rotterdam-based Studio Makkink & Bey said that this year’s range was truly astonishing. “One focuses on materials, another on concept or on industrial functionality. It’s very international and that is something I like very much. The task of choosing 20 nominees from the more than 800 entries seems almost impossible.”

The competition is aimed at emerging talent who are renowned for pushing the boundaries and coming up with new, interesting ideas. Applicants presented their ideas in the form of prototypes that were both inspiring and exciting.

“We have seen how projects exhibited in the Pure Talents Contest have subsequently been produced by well- known brand manufacturers. That has delighted me, because it shows that we have done a good job. And that’s what matters,” said designer Harry Paul van Lerssel.

The way that humans interact with furniture was one of the core design themes this year. According to judges, it was striking how many young designers addressed the relationship between man and object. Our era, the user themselves and almost forgotten craftmanship – all this took on a shape in the 2018 winning entries for the Pure Talents Contest. Some of the award-winning projects included carpets with an in-built patina effect that only acquire their pattern and final colours after traces of use and discolouration have left their mark, for example. There were lamps that constantly change their light shape in response to user’s adjustments, and furniture that only becomes furniture when spontaneously joined together. Some of the stand-out products included the following:

Knitted, stained carpets
The knitted carped, “Stained Carpet”, by Israeli designer Irina Mirer, literally attracts stains. Thanks to a special technology implemented during the production, an impacting liquid is applied to certain parts of the fabric so that instead of an amorphous stain, a pre-defined motif or pattern is accentuated – with a unique colouring.


Upcycling in the form of art
Hamburg textile designer Sophia Schulz created her own Honeycomb Carpets. Sophia took thick rolls of waste wool from felt making and used them as weft material in woven carpets. The unique patterns remind you of honeycomb structures.


Formable lights
Italian designer Umberto Garcia made the lamp Varjo (which is Finnish for ‘Shadow’). The lamp is a system that is spanned between the ceiling and the floor comprising six differently sized non-fixed rings, which elastic textile straps run through. By moving the rings, the shape and the light transmission of the shade that is formed by the straps changes.


Unique outdoor furniture
Israeli designer Yohay Alush created unique outdoor furniture aimed at teenagers. The furniture pieces are a hybrid of concrete and metal that take the form of mythical wild creatures. These pieces amplify music played on a mobile phone and provide peda-powered light and a heat-emitting bench. Music, light and warmth – that’s all it takes to generate social energy.


A different kind of chair
Japanese designer Hiroyuki Morita experimented with nylon ropes cast in latex for his chair (Cellastic) to find a new approach in the competitive seating furniture section. Here the elasticity and traction of the materials as well as the structure of the nylon ropes play an essential role, while the pattern based on the so-called cell sequence reminds one of the molecular structure of organic cells.


Full thanks and acknowledgement are given to www.v2com-newswire.com and www.imm-cologne.com for the information contained in this article.

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